I'm happy to welcome my guest, award winning, multi-published author, Karen McCullough, to Book Beat Babes, with some helpful advice for us. Morgan Mandel
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| Karen McCullough with grandson |
Her short fiction has appeared in several anthologies and numerous small press publications in the mystery, fantasy, science fiction, and romance genres. She has three children, four grandchildren and lives in Greensboro, NC, with her husband of many years.
Her most recent release is the ebook version of A Gift for Murder, originally published in hardcover by Five Star/Cengage and mass market paperback by Harlequin Worldwide Mysteries. She hopes someday to be able to create a character as vivid and riveting as Randall Matthews.
Website: http://www.kmccullough.com
Twitter: https://twitter.com/kgmccullough
Now, let's see what advice Karen offers us
Character Contradictions Add Depth
I recently re-read a Georgette Heyer cozy mystery,
Behold, Here’s Poison. Heyer isn’t really a master of complex
plotting although the story does contain one of the most clever murder weapons
ever.
I’m not going to tell you what it is. Read the
book and see if you can figure it out. I mention that because there are going
to be some other *spoilers* for the story here. It’s necessary, in order to
talk about what makes the story rise above many others.
It’s actually just a small spoiler. I’m not going
to tell you who the murderer is, just tell you that most obvious suspect isn’t
the one.
Heyer’s strength is in the characters that people
her stories. Her mysteries often have large casts, but each is individual
enough to keep them from merging into an undifferentiated mass of suspects
(something I struggle with myself as an author).
But Behold, Here’s Poison has one character so riveting you can’t help but be utterly fascinated by him. He’s not particularly likable, but he’s certainly attractive. Read the reviews of this book on Amazon and he is mentioned a number of times by the reviewers.
Randall Matthews emerges as one of the main
characters in the story though we don’t meet him until the third or fourth
chapter. Because he’s the main heir of the murder victim he’s also a chief
suspect in the crime.
Initially it’s easy to root for him as the
villain, because he’s haughty, arrogant, disdainful, uncaring, and downright
nasty. His dialogue consists mostly of rude and cutting remarks, and he
disparages anyone. However, he’s always polite about it and seems not to take
offense when others react badly to his digs.
As the story continues, we, the readers, discover
that there’s much more to Randall than shows on the surface. We come to see
that he’s a remarkably intelligent and clear-sighted man. Most of his nasty
cutting remarks are the unvarnished truth and often are attempts to make a
point or offer a sort of back-handed guidance to the recipient.
To help us glimpse the truth, Heyer offers the
point of view of another character who doesn’t really like him, but has a
better understanding than the rest of the family. She calls him an “amiable
snake.” And like what we see of Randall himself, it’s the truth, but not the
entire truth.
It becomes clearer, too, that despite his
appearance of not caring about the family who mostly despise him, he’s working
very hard to protect them, even at the cost of making himself look more guilty.
Finally, the reader cheers when the one person he
cares about most finally recognizes what he’s been doing and responds to it.
But the haughtiness and arrogance remain. He’s just as arrogant and rude and
cutting as he was at the beginning. He’d be hell to live with, but it certainly
wouldn’t be boring. His faults are real, but easier to forgive when we know
what’s behind it.
Re-reading this story has reminded me, as a writer
myself, of what a challenge it is to create a memorable character, and how wonderful
it is when you succeed.
Heyer drops hints right from the start that
there’s more to Randall than just a bilious disposition. She offers the clues
simply by reporting very accurately what he says, how he says it, and the
actual events that provoke his comments. She depends on the reader to put
things together rather than just dangling the truth out very obviously.
The contradictions make Randall a riveting
character and finding what’s below the surface is one of the chief pleasures of
reading the book.
The challenge to an author is great, but the
rewards are even greater. Fascinating characters are what draw a reader into a
book and what will keep them coming back for more.
About A Gift for Murder by Karen McCullough
For
fifty-one weeks of the year, Heather McNeil loves her job as assistant to the
director of the Washington, D.C. Commerce & Market Show Center. But the
Gifts and Home Decorations trade show, the biggest show of the year at the
center, is a week-long nightmare. This year’s version is being worse than
usual. Misplaced shipments, feuding exhibitors, and malfunctioning popcorn
machines are all in a day’s work. Finding the body of a murdered executive
dumped in a trash bin during the show isn’t. The discovery tips throws
Heather’s life—personal and professional—into havoc.
Heather’s life—personal and professional—into havoc.
The
police suspect the victim’s wife killed him, but Heather doesn’t believe it.
She’s gottenglimmers of an entirely different scenario and possible motive.
Questioning exhibitors about the crime doesn’t make her popular with them or
with her employers, but if she doesn’t identify the murderer before the show
ends, the culprit will remain free to kill again.
Her
only help comes from an exhibitor with ulterior motives and the Market Center’s
attractive new security officer, Scott Brandon. Despite opposition from some of
the exhibitors, her employers, and the police, Heather seeks to expose the
killer before the show ends. To solve the mystery, she will havehas to risk
what’s most important to her and be prepared to fight for answers, her job, and
possibly her life.
